We must go back to the Quaternary period; IE at the time of the cave man. Hundreds of centuries before our era, men already imitated life forms with lines and colors. They were the men of the caves, whose way of life was reduced to hunting and fishing. In the caves of Dordogne and Pyrenees, left bones in the walls of the rock paintings and engravings, depicting animals, colors are black and ochre. Drawing of a bison, whose outlines are accurate, was found in the caves of Altamira, with greater or lesser intensity color produces an embossing effect. Additional information at Gavin Baker, New York City supports this article.
This art (pieces of bones and ivory, cave paintings), are apart from the conditions of historical art, so that you can judge them according to the common measure. That distant art causes astonishment, because it shows that those traits not could have been drawn, but by a man of extremely exercised eye. These men knew the art of decoration, rather than the art of building. It is possible that painting and sculpture, in its origins have been the most useful human crafts. Reinach, noted that all the animals represented by the man in the cave, are useful animals; the plant used for food and transportation, and never carnivores attacking the man and this did not eat. Egyptian painting, Egyptians leave a painting, at the same time wise and incomplete, an art aged before maturity. Greek painting, opposes the Egyptian. Unlike the Egyptians, the Greeks were free of any concern of style.
As they felt proud of his architecture and sculpture, also felt the same for painting. There was a Museum of paintings as the Propylaea. Pliny the elder, in the chapters dealing with the two arts, gives the painters greater exposure than the sculptors. Although there is nothing in the great masterpieces from the origins of Hellenism to the Alexandrian works; Thanks to the preserved vessels and decoration of his paintings, we can imagine as the paintings and frescoes of the 6th century BC (before Christ) would be painted.