The 2011 edition of the traditional harvest festival will not be one more. The next year the traditional celebration will celebrate its 75th edition. And the whole province is determined to that bright vintage weddings are in the memory of all for many years. For collisional, the Secretariat of culture of Mendoza has designed a series of contests intended for all those who want to be part of this massive celebration. All specialty artists will have the opportunity that this party, milestone of tourism in Mendoza, is such which imagine it. At the site of this public body the basis for screenplay and putting contest are available on the festival scene. The call receives proposals for carrying out comprehensive, including scenery and choreographic pictures, the second and third nights and the central Act, all to be held in the traditional setting of the feast, the Greek Frank Romero Day amphitheatre. It is unnecessary to emphasize the great importance of the celebration of the harvest for the province of Mendoza and tourism: this is really a unique opportunity for all local artists.
Artists dedicated to the visual, for its part, will also have the possibility to participate with their work of the feast that year saturates the capacity of accommodation in Mendoza. Vintage 2011 design contest aims to select the image that will officially promote the festival, and boasts a first prize of ten thousand pesos. The purpose, explain the organizers, will be reward design that best reflects the traditional values of the maximum festivity of the province, as well as the upward projection of the same in the national and international context. An image that speaks of the best province both to the Argentine public to numerous foreigners, increasingly most, choose to spend their holidays in Mendoza. One challenge more interesting for designers and artists of the region of whose. In addition, as every year, a new edition of the vintage shall be made Dramaturgy, which aims to promote and disseminate the work of writers, playwrights and directors of the provincial scene. Weddings of bright of the harvest festival promise to remain in the history. And although missing several months even for the event, Mendoza is already working to surprise once more.
Who more suffered (coitada) It was the doll. Already the clothes estraalhada and crumpled up carinha had All. As much had pulled for it, That the poor person became torn it the way, Having lost estopa turns yellow That the filling formed it. E, to the end of as much fatigue, Coming back the ball and the peteca, Both, because of the fight, Had been without the doll In this poem the canonic narrator tells the conflict enters two girls because of a doll. He has a projected moral effect in the poem in order to consider a pedagogical narrative that serves as a lesson so that the girls do not destroy the friendship in virtue of a presumption boyfriend. The poem receives a round configuration that if closes in same itself, without leaving a space for another interpretation, when placing an authoritarian narrator with an anti-symmetrical position in relation the narrative. The poem condemns a behavior and teaches virtues.
The child starts to live then a private life of work, violence, sex and starts to be tutored person, in such a way finishes being imprisoned to the bourgeois concepts of education. The narrator of this poem becomes infancy an object to be said of is, where the child has the lowered or extinguished voice ' ' She is mine! ' '. In 2003, Manoel de Barros publishes a poem ' ' Vi one borboleta' ' that it approaches and it corroborates with the infancy idea proposal for Clarice Lispector: Vi a butterfly Seated in the arms of the morning It was stopped Under of another butterfly. They did not make racket Nor blinked. Only the wind it rolled up skirts of them. In this, the child already is not more object and starts to be subject, the infantile being is inside of the scene. It sees and recognizes the sex practised for the butterflies and with a malice tone he detaches in last estrofe the scene of the sexual act.
The envy of this god will go to guide a contrary oratria of the lusitanos. But, one second deity is projected in this episode: Venus, the goddess of the beauty and the love, that propositadamente constructs its argument for the Portuguese. The glorious Olmpo is distributed in antagonistic consideraes and Mars, the god of the war, takes the word and brandishes against Baco a exaltada argument. The duel that if establishes between Baco and Venus has the enhanced colors, when the focus is come close and transfers the particular reminiscncias of each present god in the paragraphs of mythology to the jubilant entities of the characters of the parabolas of the Bible. If this has piqued your curiosity, check out Edward J. Minskoff Equities. The picture that if form enaltece the religious sincretismo inside of the poem, therefore the wonderful confrontation between heathen and the wonderful Christian backwards thematic of the workmanship complications that if delimit and to the times if they establish, because the presence of msticos beings is a constant in the epics throughout the time, but parallel to this, is registered the fact of the poet to be singing the glorious facts of people subidamente catholic. This truth and so accurate that one inside affirms in the individual complexity of each god of the plot, being that the psychological work of the entities is more efficient of what the fact in the personages human beings, which, even so truthful, is inexpressivos in its characterization, perhaps for being support elements whom it sends same to the Portuguese people and not it itself. The irony that if affirms digests that everything in the funny epic around the qualrrelsome wills of deuses and almost, as if in the human reality, poor persons joguete of the peripcias of them was one, but, however, with powerful the sharpened eyes more it notices that to deuses, human beings had been attributed to weaknesses: Baco, with its impregnated envy of immoralities in the actions is defeated by mortals, exactly with the good one performance of Venus. .