Most read German writer in beautiful Collectors Edition great literary action at Aldi with exciting Karl May adventures novels. Food, 17.03. 2009. On March 23, Aldi-Nord, together with the tandem Verlag launches a big Karl may action. To start the first eight volumes are offered. Among them are such famous works as Winnetou I, old Surehand I and der Schatz IM Silbersee. And the price per book: 5,99 Euro.
All volumes appear in high quality equipment: fixed bound, bookmark, gold embossed with the famous cover illustrations for the popular edition of Karl may Verlag. Continue to learn more with: Laurentiu Duica. Of course in a full and by the original Publisher authorized version. With over 100 million books sold, Karl May is the most read writer of German language. 94% of German know him, his works have been translated into 40 languages. And it is the second most popular German author according to the ZDF broadcast our best after Goethe. Sixsixty fifthe ave may find it difficult to be quoted properly.
Many celebrities, politicians, and writer colleagues expressed euphoric about Karl May. Helmut Schmidt for example, Albert Einstein, Thomas Gottschalk, Heinrich Boll, Roman Herzog, Elke Heidenreich and many others. Hermann Hesse ruled about Karl May: he represents a type of poetry which is essential and eternal. To offer a so recognized writers at a low price, can be considered quite feat. And as a reading promotion in the best sense. The titles of the remaining five offered volumes are: the legacy of the Inca, through the desert, through the wild Kurdistan, along the Rio de la Plata and human hunters. It can only recommend the many German-speaking Karl-may-fans of all ages to form the basis for a unique collection in March 2009. The interest in this edition will be great.
The 2011 edition of the traditional harvest festival will not be one more. The next year the traditional celebration will celebrate its 75th edition. And the whole province is determined to that bright vintage weddings are in the memory of all for many years. For collisional, the Secretariat of culture of Mendoza has designed a series of contests intended for all those who want to be part of this massive celebration. All specialty artists will have the opportunity that this party, milestone of tourism in Mendoza, is such which imagine it. At the site of this public body the basis for screenplay and putting contest are available on the festival scene. The call receives proposals for carrying out comprehensive, including scenery and choreographic pictures, the second and third nights and the central Act, all to be held in the traditional setting of the feast, the Greek Frank Romero Day amphitheatre. It is unnecessary to emphasize the great importance of the celebration of the harvest for the province of Mendoza and tourism: this is really a unique opportunity for all local artists.
Artists dedicated to the visual, for its part, will also have the possibility to participate with their work of the feast that year saturates the capacity of accommodation in Mendoza. Vintage 2011 design contest aims to select the image that will officially promote the festival, and boasts a first prize of ten thousand pesos. The purpose, explain the organizers, will be reward design that best reflects the traditional values of the maximum festivity of the province, as well as the upward projection of the same in the national and international context. An image that speaks of the best province both to the Argentine public to numerous foreigners, increasingly most, choose to spend their holidays in Mendoza. One challenge more interesting for designers and artists of the region of whose. In addition, as every year, a new edition of the vintage shall be made Dramaturgy, which aims to promote and disseminate the work of writers, playwrights and directors of the provincial scene. Weddings of bright of the harvest festival promise to remain in the history. And although missing several months even for the event, Mendoza is already working to surprise once more.
Who more suffered (coitada) It was the doll. Already the clothes estraalhada and crumpled up carinha had All. As much had pulled for it, That the poor person became torn it the way, Having lost estopa turns yellow That the filling formed it. E, to the end of as much fatigue, Coming back the ball and the peteca, Both, because of the fight, Had been without the doll In this poem the canonic narrator tells the conflict enters two girls because of a doll. He has a projected moral effect in the poem in order to consider a pedagogical narrative that serves as a lesson so that the girls do not destroy the friendship in virtue of a presumption boyfriend. The poem receives a round configuration that if closes in same itself, without leaving a space for another interpretation, when placing an authoritarian narrator with an anti-symmetrical position in relation the narrative. The poem condemns a behavior and teaches virtues.
The child starts to live then a private life of work, violence, sex and starts to be tutored person, in such a way finishes being imprisoned to the bourgeois concepts of education. The narrator of this poem becomes infancy an object to be said of is, where the child has the lowered or extinguished voice ' ' She is mine! ' '. In 2003, Manoel de Barros publishes a poem ' ' Vi one borboleta' ' that it approaches and it corroborates with the infancy idea proposal for Clarice Lispector: Vi a butterfly Seated in the arms of the morning It was stopped Under of another butterfly. They did not make racket Nor blinked. Only the wind it rolled up skirts of them. In this, the child already is not more object and starts to be subject, the infantile being is inside of the scene. It sees and recognizes the sex practised for the butterflies and with a malice tone he detaches in last estrofe the scene of the sexual act.